E m (i l y)
E m (i l y)
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beatonna:

parent around corner 
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ryancolemanstudio:

Gouache on paper, 8.5x11 inches - 2013
ryancolemanart.com
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welzenis:

Jan Willem van Welzenis - 2014
Website | Tumblr
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shuitsang:

17/4/14; jh/yy/shui/vsvm/unknwn/pg1
Album Art
206 plays Source
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No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
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caffeinatedinsight:

this is literally me
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azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
azertip:

Les Métamorphose d’Orphée - Edition SDZ 1995
Gustave Courtois - Georges Callot - Edouard Rosset-Granger -  Abel Boyé - Pascal Adolphe Jean Dagnan-Bouveret - Henri Regnault - Emilie Levy - Auguste Hirsch - Auguste Leveque - Melchior Lechter
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thekimonogallery:

"Bright Kyoju", a kimono created by artist Masaaki Ueno.  Jury Prize winner at the (Institute ) Japan Dyers Association
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nuuro:

Kneeling Man Embracing a Standing Woman, Gustav Vigeland
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likeafieldmouse:

Robert Rauschenberg - Pilgrim (1960)
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latoxicomanie:

Yohji yamamoto and maison martin marjiela fall winter 1998.
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likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
likeafieldmouse:

Robert Ryman
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